It rather works well for aggregates, and cannot separate a single sound data to multiple elaborate sounds. It is not good for noise separation, as demanded by a sound professional. the good thing being you are able to convert to a number of consumable formats as much as professional one. Good for the guy who wants an edit of a bundled in an exportable and playable in almost all devices track. the other beautiful thing is it can do that to the unamplified sound too, which is generally problematic to sound software, with real good spec inducing, you can bass up or lighten pitch by factoring, so being able to get the right back sounds for your video or single-channel export. It is an ideal little ware that does not even need installation for the most part and it cleans the general sound really well. Not much of a big machine tool but for the aggregate sound guy like a videographer where you are not supposed to separate sound elements but rather desire to leave the aggregated sound clean without separation, it works exceeding fine. PROSĪn aptly incredulous little audio editor. I still stick to aggregates though, like dealing with outdoor takes editing, for it fares well against white noise and all high noises (air hissing) real well. It is also utterly unbelievable that you can use it so vividly to eliminate unwanted pauses and front noises (breaths though stealing the back sounds), for it just to be able to negate the waves and pick out something for its package size means a lot of concerted engineering.
It does really edit sound, though concerted ( deals exceeding well with hissing). It packs serious agility for anything in its range. For ware, its size to my utter disbelieves its a miracle worker.
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